Return of the Mac, Significant Mother, Jimmy Kimmel Live, After Lately, Chelsea Lately, Chelsea Handler Show, Family Business, Andy Dick - The Assistant
Bloodline, The God's of Times Square, The Seventh Python, The Jeff Koons Show
ICG Local #700
After graduating from Tisch School of The Arts at New York University, and in between stints as a touring musician, Daniel Brown began Editing as an assistant editor at some of the most established commercial editing firms in New York. Daniel leanred the craft of editing from very experienced film editors and his career began at an exciting time when the technology of nonlinear editing was just starting to emerge as the new industry standard. Following his work in award winning Documentaries, Daniel made the move to Los Angeles and has now cut non-fiction television, feature length documentaries and perhaps his true calling - lots of comedy television. The varied experience has taught Daniel to respect and fully utilize the pure rhythmic elements of cinema - pictures, performances and sounds - captured, reorganzied, and meticulously nuanced. His work draws upon a diverse palate of tempos and tonalities. "I lend my aesthetic sensibility to the vision of every project with the goal of realizing well-crafted onscreen characters and compelling narrative and compositional structures." Daniel is proficient in Avid, Premiere Pro and Final Cut Pro 7.
Alexandra Nechita Story, Adventures of the Spirit, James Gill Full Circle, Mark & Brian's Guide to Life
Little Tykes, Capri Sun, Honda, Scripps Institute, California Lottery, Gravity Defyer, Dunn & Bradstreet
Bank of America, Mitsubishi, Acura, Prudential, Intel, Coldwell Banker, Body Flex
Jeff Long is a Director/Editor who is happy doing one or both. "To me, productions is about planning, passion, and the ability to improvise and problem solve. I've found that attitude, flexibility, and the spirit of teamwork go a long way towards successful projects." Jeff works in a variety of mediums including commercials, infomercials, high-end corporate, direct response, automotive, and documentaires where his work has earned him numerous awards. Jeff is based in Los Angeles.
Criminal Minds, Prison Break (2016), Greenleaf, Lucifer, Whispers, Extant, Vegas, Assets, Beauty and the Beast, Without a Trace, Miami Medical, Third Watch
(as Assistant Editor): White Fang, Great Balls of Fire, Chuck Berry Hail! Rock n' Roll
ICG Local #700
Having edited well over 100 episodes of Primetime Network Dramatic Television Series in genres from Crime to Medical to Fantasy to Science Fiction, Fred Peterson has the ability to work with a diverse range of Producers and Directors to achieve their ultimate vision. Based in Los Angeles, Fred is proficient in both Avid and Final Cut Pro.
Will Gardner, Dying of the Light, The Canyons, The Good Shepherd, Dominion: Prequel to the Exorcist, Funny is Money, Chow Bella
ICG Local #700
Growing up in New York, Tim Silano wanted to be a journalist. But while attending Pepperdine University in Malibu, Tim was able to work with noted filmmaker Robert Greenwald and a passion for film editing was born. Quickly joining the Editors Guild, Silano worked for John Hughes on a number of projects, first as an assistant then as an additional and associate editor on films such as Mrs. Doubtfire and Apollo 13. A consummate professional with a keen eye for storytelling, Silano has been a collborator with noted filmmakers Roland Joffe, Norman Jewison and Paul Schrader. Based in Los Angeles, Tim is happy to travel anywhere.