D. J. Barton
Jennifer Carriere
Diane Collins
Pauline Gray
Bruce Resnik
Ingrid Urich-Sass
Danielle N. Snowdon
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D. J. Barton
Features Burden, Almost Christmas, Barbershop: The Next Cut, The Disappointments Room, Ashby, Hear No Evil, The Longest Ride (2nd Unit)
Television Kevin Probably Saves The World, The Passage (2017 Pilot), Untitled Marc Cherry/Reba McIntyre (2017 Pilot), Devious Maids, Zoe Ever After, Mr. Right, The Comeback Dad, My Dad's A Soccer Mom, Banshee (Seasons 1 - 3, 2nd Unit)
Commercials Oscar Meyer, Chevrolet, NASCAR, Diet Mountain Dew, Farmers Bureau
IATSE Local #161
With over ten years experience as a script supervisor, D.J. Barton prides himself on having an incredible work ethic and has often been noted for his temperament on set by other department heads as being assertive, yet relaxed and always polite. D.J. works in Film, Television and Commercials and enjoys the variations of attention to detail that each provides. All of D.J.'s work is completed electronically using ScriptE and FileMaker Pro software and draws consistent praise from Editors. D.J. is based in Atlanta and is easily available to work any location in the U.S. or internationally.
Jennifer Carriere
Features Cliffs of Freedom, A Madea Christmas, Final Girls, Left Behind, The Iceman, Single Moms' Club, The Bag Man
Television Castle Rock, Astronaut Wives' Club, Bonnie & Clyde, Have and Have Nots, Love Thy Neighbor, For Better or Worse, Occult, Wild Card
IATSE Local #161
Jennifer Carrierre is the premiere digital script supervisor in the Southwest, using ScriptE software for notes and continuity stills. Bilingual (English and French), Carriere prides herself on having the best work ethic in the business, as well as the ideal temperament; assertive but relaxed. With an exceptional eye for detail, again and again she catches the little things others miss. Jennifer thrives where others may falter. Whether it's tracking bits borne out of improvisation, or staying on book for a ten page monologue, Jennifer can be counted on for continuity every time. Her neat and organized notes navigate the editor through the madness to every last gem. Jennifer works New Orleans and Atlanta local.
Diane Collins
Features Roman J. Israel, Esq., Star Trek 2, Takers, Street Kings, Cloverfield, My Funny Valentine; (2nd Unit:) Super 8, Mission Impossible 3
Television The Mayor, Mindhunter, Chunk and Bean (2016 Pilot), Uncle Buck, Banshee (4 Seasons), Luck, House, Grey's Anatomy
IATSE Local #871
With over thirteen years' experience as Script Supervisor, Diane Collins has gained a thorough understanding of what goes on behind and in front of the camera and given her a genuine love for her craft and a "passion for film that is unparalleled". Diane works in Films, Television, and Commercials, and she enjoys the variety and attention to detail. All of Collin's work is completed electronically and draws continuous praise from Producers and Editors. From Chicago, where Diane still enjoys working, she is Los Angeles based and often works away on locations.
Pauline Gray
Features Sarah Silverman: Jesus is Magic, Ava, Runaways, Choice II: Snitches
Commercials Pepsi, Lexus, Revlon, American Express, Apple, Toyota, AT&T, Kellogg's, GMC, Coca Cola
Televison Giada at Home, Pushing Daisies (2nd Unit), Commuters
IATSE Local #871
Bilingual English and French Script Supervisor Pauline Gray has worked in Commercials, Features and Television and she understands the complexities and differeneces in the mediums. The commercial directors Pauline has worked for include A-List feature filmmakers Darren Aronofsky, James Mangold and Ron Howard. With over 200 commercials to her credit, including some in French, Pauline's work includes specializing in the increasingly popular and ever changing technology of visual effects.
In addition, Pauline also writes Treatments and copy for all genres including branded content. She has done much of this work with European and non-native English speaking directors. When working for an internationally based client, Pauline works according to their time zone/schedule or a 24 hour clock in order to best serve their needs. When the job awards, the directors usually request Pauline script supervise the shoot. In this way she has a full grasp of the project from inception to completion. Pauline is Los Angeles, New York and Salt Lake City local.
Bruce Resnik
Features Saving Flora, Ride, Dude, Traffik, Where's the Money, Please Stand By, Running Wild, Half Magic, Murder of a Cat, In A World, Celeste and Jesse Forever
Television East Los High, Watch Over Me, Even Stevens, The Flight That Fought Back
Commercials AT&T, DirecTV, Purina, Denny's, Friskies
IATSE Local #871
Bruce Resnik has over twenty years experience as a Script Supervisor working in features, television and commercials. He enjoys the detail intensive work and prides himself on catching any continuity errors before it costs the production time and money. Bruce's ability to cordially and effectively deal with actors and crew regarding line and blocking notes never make anyone feel awkward and production runs smoothly. Based in Los Angeles, Bruce is happy to travel for location work.
Ingrid Urich-Sass
Features Last Days in Desert, Revolucion, Mother & Child, Nine Lives, A Walk in the Clouds
Television Trial & Error, Agents of S.H.I.E.L.D., Review, Leisure Class, Jane the Virgin (Pilot), Betty White's Off Their Rockers, In Treatment, The West Wing
Commercials AT&T, McDonalds, Honda, M & M's, Gilette, Sprint, HP, Volkswagen, Allstate, Nissan, Skittles
IATSE Local #871
Bi-lingual Script Supervisor Ingrid Urich-Sass moved from Mexico City to Florida to attend the University of Miami to study Marine biology where she ended up getting involved in the Miami Film Festival and meeting acclaimed film director Lasse Halstrom who suggested she become a Script Supervisor. As soon as her training was done she began working and hasn't stopped. Ingrid loves the whole creative process and helping the director achieve his/her vision. She loves the intensity and being in the center of everything on set. Ingrid is a problem solver and her recurring directors trust and appreciate her skills and intuition. Ingrid was one of the first to use ScriptE and transition to digital. One of Ingrid's passions is still photography and she often shoots stills for production which are sometimes used for advertising. She loves capturing the essence of the moment, whether it's crew working on set, "natural" headshots, a wedding or other emotional moment or product shoots. Ingrid is fluent in English and Spanish and based in Los Angeles.
Danielle N. Snowdon
Features Strawberry Cliff, Shrink, The Lodger (as additional photography) Entourage, Haunted House 2, Neon Demon
Television Dynasty, Black Lightning (2017 Pilot), The Vampire Diaries, Bones, New Girl, Dexter, Dollhouse
Commercials AT&T, Guinness, Snickers, Target, 3M, Nestle, Turbo Tax, Bush's Baked Beans
IATSE Local #871
Script Supervisor Danielle Snowdon has comprehensive training in her field and takes great pride in providing clear, easy to understand digital script notes and editor logs as well as a daily production report. A stickler for continuity details, Danielle is thorough and enjoys the detailed work and her contribution to production. With an easy going personality, Danielle always develops a great rapport with the director and all departments and her exact work is an integral part of production running smoothly. Danielle is based in Los Angeles and often works in Atlanta.
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