Jillian Amburgey
Genie Babcock
Jennifer Carriere
Diane Collins
Ingrid Urich-Sass
Danielle N. Snowdon
Katie Waters
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Jillian Amburgey
Features Jerry and Marge Go Large, Nancy Drew And the Hidden Staircase, The War with Grandpa, Office Christmas Party, Mother's Day, The Crazies, Beyond a Reasonable Doubt (2nd Unit) Hobbs & Shaw, Godzilla: King of The Monsters, Black Panther
Television Them, Waltons Thanksgiving, Naomi, Bigger, Cobra Kai, Lovestruck (2019 Pilot), Insatiable, Sleepy Hollow, Complications, Constantine, Devious Maids, Necessary Roughness, K-Ville
Commercials Nike, Penzoil, NASCAR, Disney, Toyota, Mr. Goodwrench
IATSE Local #161
Script Supervisor Jillian Amburgey has over thirty years in the business extending over East and West Coasts and internationally. Jillian is creator of Zen Continuity, a digital scripting program which shows sustaining power and a tough relevancy in a challenging new area of digital. Jillian traveled the world extensively by 15 and has her Graduate Degree from University of Florida, with a Minor in Television-Film. She got her start in the business Script Supervising for Music Videos and Commercials. Jillian relocated from Los Angeles to Central Florida to work at Universal Studios and Disney/ MGM Studios. She later followed the incentive programs to Los Angeles, North Carolina, New Orleans, Europe and Vancouver before settling in to Atlanta in 2010. Jillian believes in giving back by educating an IATSE-intern yearly, taught at Full Sail Film School and UCF, and retains a Lecture position at The Maine Media Workshop and Western Carolina University teaching Script Continuity Advantages To Directing and her program Zen Continuity. Jillian has one of the best work ethics in the business. She is calm, focused, efficient, quiet yet confident to speak up when needed and a true pleasure to work with. Atlanta based with her champion Golden Retrievers, Jillian is always happy to travel for work.
Genie Babcock
Features Billionaire Boy's Club, Confidence, Sueno, American Perfekt, Hellraiser IV: Bloodline, Romy & Michele: In The Beginning
Television Big Sky, MacGruber, Sex Lives of College Girls (Pilot), Legion, Ten Days in the Valley, Nobodies, State of Affairs, Bad Teacher, 90210, Chuck, Curb Your Enthusiasm
Commercials Coke, Sony Playstation, Mattel, Nikon, Dr Pepper, Subway, Yoplait Yogurt, Mercedes, Olympus, Oscar Meyer, GMC
IATSE Local #871
While in her twenties and living in Marin County, CA, Genie Babcock took a private Script Supervision seminar and quickly booked an Independent Feature shooting in Berkeley. Shortly after, she moved to Los Angeles to pursue work in the Entertainment Industry. She was hooked and has now worked over twenty years as Script Supervisor in Feature and Television. Genie graduated with a B.A. in Communications and studied screenwriting, drama, and journalism along the way. She directed short films and quickly developed a passion for storytelling. She knew she had the skills and stamina to be a successful Script Supervisor. Genie enjoyes being an intricate part of the creative process and working closely with the Director, Editor, and Talent. She loves that collaboration and excessive attention to detail. Genie swears by ScriptE, the digital software which she finds clear, concise and creates thorough documents. Genie is Los Angeles based and happy to travel for work.
Jennifer Carriere
Features The Iceman, The East, Catch Hell, Zipper, The Bag Man, Bad Country, Cliffs of Freedom, Boo! A Medea Halloween, Final Girls, Left Behind, A Madea Christmas
Television Watchmen, Castle Rock, Astronaut Wives Club, Bonnie & Clyde, Young Dylan, All The Queen's Men, If Loving You Is Wrong, Love Thy Neighbor (2nd Unit): True Detective
IATSE Local #161
Bi-lingual (English and French) Script Supervisor and Associate Producer Jennifer Carriere prides herself on having the best work ethic in the business, as well as the ideal temperament: assertive but relaxed. Jennifer's work gets glowing praise from highly respected industry professionals like Nicole Kassell, Damon Lindelof, Andrew Bernstein, Michael Uppendahl, Greg Yaitanes, Bruce Beresford and many more from her hundreds of episodes of Television and dozens of Features. She is Atlanta based and happy to travel.
Diane Collins
Features Don't Look Deeper, Fatale, Roman J. Israel, Esq., Star Trek 2, Takers, Street Kings, Cloverfield, My Funny Valentine; (2nd Unit:) Super 8, Mission Impossible 3
Television Made for Love, The Mayor, Mindhunter, Chunk and Bean (2016 Pilot), Uncle Buck, Banshee (4 Seasons), Luck, House, Grey's Anatomy
IATSE Local #871
With over thirteen years' experience as Script Supervisor, Diane Collins has gained a thorough understanding of what goes on behind and in front of the camera and given her a genuine love for her craft and a "passion for film that is unparalleled". Diane works in Films, Television, and Commercials, and she enjoys the variety and attention to detail. All of Collin's work is completed electronically and draws continuous praise from Producers and Editors. From Chicago, where Diane still enjoys working, she is Los Angeles based and often works away on locations.
Ingrid Urich-Sass
Features Last Days in Desert, Revolucion, Mother & Child, Nine Lives, A Walk in the Clouds
Television Sinking Spring, Open Book (Pilot), Mighty Ducks: Game Changers, Physical, Made For Love, Snowfall, The Orville, Trial & Error, Agents of S.H.I.E.L.D., Review, Leisure Class, Jane the Virgin (Pilot), Betty White's Off Their Rockers, In Treatment, The West Wing
Commercials AT&T, McDonalds, Honda, M & M's, Gilette, Sprint, HP, Volkswagen, Allstate, Nissan, Skittles
IATSE Local #871
Bi-lingual Script Supervisor Ingrid Urich-Sass moved from Mexico City to Florida to attend the University of Miami to study Marine biology where she ended up getting involved in the Miami Film Festival and meeting acclaimed film director Lasse Halstrom who suggested she become a Script Supervisor. As soon as her training was done she began working and hasn't stopped. Ingrid loves the whole creative process and helping the director achieve his/her vision. She loves the intensity and being in the center of everything on set. Ingrid is a problem solver and her recurring directors trust and appreciate her skills and intuition. Ingrid was one of the first to use ScriptE and transition to digital. One of Ingrid's passions is still photography and she often shoots stills for production which are sometimes used for advertising. She loves capturing the essence of the moment, whether it's crew working on set, "natural" headshots, a wedding or other emotional moment or product shoots. Ingrid is fluent in English and Spanish and based in Los Angeles.
Danielle N. Snowdon
Features Strawberry Cliff, Shrink, The Lodger (as additional photography) Entourage, Haunted House 2, Neon Demon
Television Ms. Pat, Lifted (Pilot), Sweet Magnolias, Dynasty, Black Lightning (2017 Pilot), The Vampire Diaries, Bones, New Girl, Dexter, Dollhouse
Commercials AT&T, Guinness, Snickers, Target, 3M, Nestle, Turbo Tax, Bush's Baked Beans
IATSE Local #871
Script Supervisor Danielle Snowdon has comprehensive training in her field and takes great pride in providing clear, easy to understand digital script notes and editor logs as well as a daily production report. A stickler for continuity details, Danielle is thorough and enjoys the detailed work and her contribution to production. With an easy going personality, Danielle always develops a great rapport with the director and all departments and her exact work is an integral part of production running smoothly. Danielle is a member of the Television Academy, based in Los Angeles and often works in Atlanta.
Katie Waters
Features Dominion: Exorcist Prequel, American Outlaws, Grace is Gone, Miami Vice (Second Unit), Tooth Fairy 2, Sydney White, Exorcist: The Beginning
Television Found, David Makes Man, Outer Banks, Bloodline, Inbetweeners (Pilots): Salvage, Brothers in Atlanta, Bad Mom
IATSE Local #161
Script Supervisor Kathryn "Katie" Waters began her career in Los Angeles at Columbia Pictures after graduation from the University of Missouri. While learning the ropes as a production assistant assigned to many different departments, the opportunity to be mentored as a Script Supervisor on a Columbia Pictures feature began what would be a long and successful career. Working at first on sit-coms at NBC, she transitioned to episodic Television and Feature films after moving to Florida to be closer to her family. In Florida, while maintaining a successful and busy career, Katie was recognized by her peers as a leader when she was elected three times as President of Women In Film Florida and then by Governor Jeb Bush when he appointed her twice to the Florida Film and Entertainment Advisory Council where she served as Chairman for two terms during which period the very successful, but short lived, film tax incentive program came to be. As a Script Supervisor, Katie is known as a dependable, diplomatic, calm and skillful Department Head and has worked all over the U.S., in Canada, Europe and Africa. She frequently receives written notes of thanks from Editors, Producers and Directors for her contributions and dedication to their projects. Based in Florida, Katie welcomes distant hire locations.
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